Can a nose on a face, however large, ever deserve the metaphor 'the elephant in the room'?That was a nagging question at the Venice Film Festival on Saturday night, at the world premiere of Maestro – the biopic of mighty conductor and composer , co-written, directed by and starring .There has been so much used by (the non-Jewish) Cooper to replicate the Bernstein proboscis that even those in the audience determined to judge this film on its merits could hardly have been unaware of the brouhaha, and must have swiftly reached their own conclusion.
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