There are no depths of bad taste that writer Peter Morgan does not plumb in the new ten-part series of The Crown on .
Divorces, infidelities, the most intimate conversations, the infamous interview with and , even the death of a five-year-old from cancer, all are exploited for lurid drama.
As the eight-and-a-half hours of new film were made available to journalists last night, under a stringent embargo, the sheer virulence of the storylines became shockingly clear.
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