They were hardly the embodiment of love’s young dream: he stooped, scruffy in paint-spattered trousers with a thin scarf tied loosely at his neck; she blonde, stylish and though pregnant unmistakably the elfin face that adorned countless magazine covers.
Yet for a few heady weeks exactly 20 years ago, Lucian Freud and the model Kate Moss were an inseparable, if unlikely, couple — dancing at Annabel’s, dining a deux in fashionable restaurants and sitting up late into the night as artist and muse.
Their collaboration produced one of the most startling portraits of Freud’s long career. His near life-size, full-length study portrayed Moss not as a waif-like supermodel but as a physically imposing, pregnant woman reclining naked on a bed.
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