In 2017 it took almost three months for the to release an official portrait of the new First Lady who in a significant break from tradition had yet to move permanently into the executive mansion.
Amidst swirling rumours that Melania’s relocation was contingent upon (from her view) successful renegotiation of her pre-nup, she was a largely absent figure in the Trump eco-system, and certainly a peripheral presence as the administration crafted its public image.
Fast forward four years and this time things, like so much else in Trump 2.0, look very different. Less than twenty-four hours after watching her husband be sworn in as the 47th president of the United States, Melania found herself, bags already unpacked, standing in front of her long-time photographer Regine Mahaux in the distinctive Yellow Oval Room, supposedly one of Melania’s favorite’s, posing for a picture that even for more traditionally minded presidential consorts rarely appears with such haste.
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